龐 寶 珠
Chinese Fine Art · Ink & Calligraphy
水 墨 心 法
Mountains receding into mist along a river at evening; a lone fisherman in the lower current. Calligraphic inscription and seal at the upper-right. The composition follows the literati landscape tradition — more than half the surface is breath, not mark.
A white horse caught mid-stride beneath the artist’s transcription of Cao Cao’s “Though the tortoise lives long…” — a meditation on age and ambition.
A modernist counterpoint to the classical landscapes. Bold ink saturation, pooled jade pigment, with white bamboo leaves emerging from the wash.
A winter view: white peaks, a thin waterfall, the warm rust of bare winter branches in the foreground. The cold is rendered by what is left empty.
A single white character — 風, wind — drawn in negative against a wash sky, beside a bamboo bent in motion. The figure of the wind, painted by what it does to the leaves.
Pure expressive calligraphy — the brush moves quickly, the ink throws itself at the paper. A single seal grounds the chaos. The work is about what happens between the marks, not the marks themselves.
A single cursive character — 和, harmony — against the round paper of a fan. The accompanying inscription speaks of harmony bringing wealth, harmony bringing fortune.
A red-crowned crane on a pine bough — the classical pairing for longevity. Autumn rust runs through the roots; the crane’s posture is alert, almost intimate.
Eight pandas at play under an old pine. A study in joy and lineage — pine in seal-green, the pandas built from confident, playful brushwork. The master’s discipline can hold as much warmth as austerity.
A study in mineral blue. Peonies bloom in cool tones at the centre; a single small butterfly above. The blossoms are confident but unhurried, painted in the boneless (没骨) manner.
Five shrimp moving through unseen water — an homage to Qi Baishi’s legendary motif, reframed as a household blessing. Each body is two or three strokes; the antennae are felt rather than drawn.
A single tree, rooted, dense with leaves. Inscription: to become a great tree, do not contend with the grass. A meditation on growth and quiet ambition.
A pair of mandarin ducks — the traditional symbol of devotion — among willow and lotus. Light pink blossoms, jade leaves, the calm of a still pond. A natural fit for the wedding commission practice.
略 歷
For more than four decades, Anita Po Chu Pong (龐寶珠) has worked in the lineage of Chinese fine art — landscape, calligraphy, and the close discipline of ink on rice paper. Her practice moves between the reverence of classical xieyi and a contemporary sensibility that is unafraid of colour, abstraction, or stillness.
Trained under masters in Hong Kong and continuing her studies through decades of private practice, she draws as easily from Song-dynasty landscape as from twentieth-century literati painting. Her work has been exhibited privately and held in collections internationally.
“The brush does not move quickly. The hand has waited sixty-seven years for this stroke.” — from a 2025 studio note
Each work is signed and sealed by the artist. Provenance, dimensions, and medium are documented for every piece. Private viewings are offered by appointment.
問 訊
Selected works are available for private acquisition. Price upon request. Please leave a brief note below; the studio will respond within five working days.